Welcome!
Our Logan Center September 2024 concert of “Reimagining Cabaret—Journey through the Genres” has been nominated for best performance in the Cabaret/Concert/Solo Performance category for the 2024 BroadwayWorld Chicago Awards! You can support our performers by casting your vote by December 31, 2024.
Here’s a two-minute recap. Thank you for sharing with friends and family.
The national award-winning Black Voices in Cabaret highlights people of color and their extraordinary talent. Cabaret is a place where audience comes face to face with singers, musicians, enteratiners, dancers and variety artists. We embrace all genres including Jazz, Rhythm and Blues, Soul, Gospel, Theater, Classical song, and more.
We provide a Black lens into the world of entertainment by raising the recognition afforded to artists of color, bringing their performances to communities in the Chicagoland area and beyond, and by engaging with audiences through intimate performances, concerts, events and education.
Upcoming Events by and with BVIC artists
SongShop Live presents"Fresh Airs"
BVIC initiates “Uplifting Diverse Voices in our Schools” in 2024
Our 2024 project is in direct response to Chicago teachers who have urged us to create programs that resonate especially for their Black and Latino students. We’re taking their request a step further. We want to use the power of song to inspire youth to see themselves as makers of history and social change, by bringing an array of thought-provoking performances and workshops to the junior high and high school classroom. We welcome more performers and school personnel to join us. Learn more here.
BVIC wins the American Prize!
Black Voices in Cabaret was selected from among dozens of talented ensembles across the USA as First Place Winner of The American Prize in Virtual Performance for 2022 (artists performing together/professional division). And we’re just getting started!
In Fall 2020, Working In Concert facilitated a new network of African-American cabaret artists. Our first project was the creation of the award-winning Healing through Song, a three-part virtual concert and related video-conference conversations that premiered online in March 2021.
Emceed by magician and singer David Stephen and vocalist Arlene Armstrong and recorded at PianoForte Studio and Epiphany Center for the Arts, the premiere concert brings together two dozen artists including opera singer Gwendolyn Brown, classical soprano Dr. Ollie Watts Davis, cabaret notables Lynne Jordan and Cynthia Clarey, Natalie Douglas (“Princess of Birdland” in Manhattan), Chicagoan of the Year actress E. Faye Butler, jazz singers Bobbi Wilsyn, Margaret Murphy and Ava Logan, drag queen Coco Sho-Nell, rap artists Che Rhymefest and Seany-Doo, and many more.
David Stephens, the first Managing Director of BVIC, explains, “Our mission is to showcase Black performers, educate new audiences about the history of Chicago cabaret as seen through Black eyes, and uplift its repertoire beyond the standard American Songbook.”
Watch our award winning concert and conversation series now: Click the image below
ILLINOIS ARTS COUNCIL SUPPORTS BLACK VOICES IN CABARET
Working In Concert, the two-year-old performing arts collaborative, was awarded $9,200 by the Illinois Art Council to underwrite a premiere concert by Black Voices in Cabaret to launch this network of African-American performers in March 2021.
According to singer Natalie Douglas, “We’ve always been here, and we’ve always been making music in the cabaret world. But those weren’t the pictures we saw in the movies or on television. It is only through us making a fuss and saying ‘I need to be represented there, too’ that people will be open to the idea that an evening of cabaret isn’t just pretty white ladies in sparkling gowns.”
David Stephens, BVIC Managing Director Emeritus, explains, “We are exploring the rich variety of performing styles, and highlighting both new and established performers from Chicago and beyond. We invite new audiences to get exposed to the art of cabaret and experience the intimacy of live performance.”